Original
Die
Kunst Des Radierens
Ein Handbuch Von
Hermann Struck
1925
Verlegt Bei Paul Cassirerinberlin
[English Translation]
Original
The
Art of Etching
A Handbook by
Hermann Struck
1925
Published by Paul Cassirer in Berlin
CONDITION:
A good copy. The cloth over boards are moderately dampstained and rubbed, with moderate fading to the cloth and gilt. Corners are bumped and the boards are moderately edgeworn. The spine is moderately rubbed with bumped head and tail, and faded lettering. Hinges and joints are fair, with cracking present. The text block and pages are good, with minor dampstaining and toning, and dusty edges. Endpapers are fair, with moderate dampstaining and toning, and a cracked hinge. Plates and illustrations are good.
ATTRIBUTES:
Illustrated edition. Hardcover. Bound in cloth.
Page Count: 331
DESCRIPTION:
Hermann Struck's "Die Kunst des Radierens" (The Art of Etching) is a seminal work on the techniques and aesthetics of etching. Struck, a prominent German Jewish artist and printmaker, was renowned for his masterful etchings, particularly his portraits and landscapes. The book serves as both a practical guide and a philosophical exploration of the medium, detailing various etching processes, tools, and materials, while also discussing the artistic principles and expressive possibilities inherent in printmaking.
Struck's influence extended beyond his own artistic output; he was also a significant teacher and mentor, notably to Marc Chagall, whose early printmaking endeavors were guided by Struck. This book reflects his deep understanding and passion for etching, making it an invaluable resource for artists and art historians alike. Its detailed explanations and numerous illustrations provide a comprehensive overview of the art form, from its historical development to contemporary practices.
Collectors find this book particularly interesting due to its authorship by a highly respected artist and its historical significance as a foundational text in printmaking education. It offers insight into the artistic practices and pedagogical approaches of the early 20th century, providing a window into the techniques that shaped a generation of printmakers. The work stands as a testament to Struck's legacy as both a creator and an educator in the field of graphic arts.
FLASHBACK TO 1925 WHEN THIS BOOK WAS PUBLISHED:
When this book was published in 1925, the world was still reeling from the Great War, with the Locarno Treaties attempting to secure peace in Europe while Mussolini solidified his fascist grip on Italy. The Scopes Monkey Trial captivated America, debating evolution, while F. Scott Fitzgerald's *The Great Gatsby* captured the Jazz Age's spirit of excess and disillusionment, and Hermann Struck, a prominent artist, continued his influential printmaking. Amidst this, archaeological discoveries like the tomb of Tutankhamun fueled public fascination with ancient cultures, and quantum mechanics was rapidly advancing, reshaping scientific understanding.
Bin Location: LIB