Step into a world where beauty dances with death, and the passage of time weaves its intricate tapestry. Illustrated by the visionary artist Josep Triadó in 1901, this thought-provoking artwork delves deep into the timeless theme of death and the maiden, inviting you to contemplate the fleeting nature of existence.
Within this captivating illustration, a young woman finds herself amidst a briar patch, her delicate form juxtaposed against the figure of death itself. Time, with its relentless march, stands by her side, a somber reminder of the ephemeral nature of life. It is a haunting and poignant scene where beauty and mortality entwine in an eternal dance.
Gather ye roses while ye may, for this symbolism resonates within every stroke of Triadó's masterful creation. The briar patch represents the thorny complexities of life, while the maiden embodies youthful allure and fleeting beauty. Death, portrayed as a solemn figure, serves as a reminder to cherish each passing moment, urging us to seize the joys and opportunities that come our way.
Embrace the allure of Beauty and Death, and elevate your personal library with these Gothic bookplates. Each exquisite detail, meticulously crafted by Triadó, invites contemplation and reflection. Customize these bookplates with your name, lending a personal touch to this evocative artwork.
Bookplates are ideal for safeguarding the volumes in your library and make a unique and thoughtful gift.
Bookplates are crafted on 50# White English Finish Gummed Paper and hand-cut to size. Gummed paper is coated with an adhesive backing that requires water to activate (similar to traditional stamps). Once the adhesive is activated, the paper will adhere to the front pastedown of your book.
Both the paper and the adhesive are VEGAN and CRUELTY-FREE.
Historically, bookplates have been printed on gummed paper for various reasons. First, the glue is water-soluble and can be removed by steaming or wetting without damaging your book. Second, gummed paper dries flat and without residue, eliminating the waste of sticker adhesive backings. Third, the finished bookplate has a refined look and feel.
ITEM DETAILS
• Dimensions: 4in x 3in, 10.16cm x 7.62cm
• Substrate: 50# White English Finish Gummed Paper
• Adhesive: Moisture/Water activated
• Quantity: 30 Bookplates
• Turn around time: 3-5 days
• Each bookplate ships with instructions.
• Each bookplate is handcrafted and cut to size and may vary slightly from the rest
• Option to Personalize: Yes
PERSONALIZATION
These bookplates can be personalized with your name(s). You can choose either first name or both first and last names. The font is an adjusted version of Diehl Deco in all caps, as shown in the photos. A maximum of 25 characters is allowed.
INSTRUCTIONS/HOW-TO
On a clean surface, moisten the back of the bookplate with a damp sponge. The bookplate will curl up a little; this is normal. Affix the moistened bookplate where desired, smoothing the paper from the center outwards to eliminate any creases and wrinkles. Gummed paper dries flat and smooth. I recommend you test a paper surface before applying to your book to get a feel for the moisture/glue. Don't moisten the front of the bookplate, as inks are not waterproof. If you opted for blank bookplates, write your name in before applying. Store unused bookplates in a dark, dry place.
SOME HISTORY
A bookplate is sometimes called an ex libris meaning "from the books of" in Latin. The earliest known example, dated to 1480, is the bookplate of Hilprand Brandenburg, a Carthusian monk. At first, most bookplates were designed to safeguard the property of nobles; thus, they were adorned with coats of arms and other indicators of inherited prestige. This was the case through the 18th century, though styles changed with artistic trends. The 19th century saw the rise of the middle class. Scholars, professionals, and other educated individuals became interested in bookplates and commissioned works in a pictorial vein. Since then, ex libris have been used to denote personal property and as a form of personal expression. Since ex libris stamps were generally never seen by the public, the artwork varied tremendously from intimate erotic scenes to darkly expressionistic styles.
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